This blog is run by the staff at the Raymond Public Library in Raymond, Alberta, Canada. It discusses the challenges and joys of being a small town librarian. Library programs we offer and books we enjoy will also be discussed.
Thursday, March 15, 2012
Read-a-long with Me
Congratulations to Clarissa Foss - the winner of February's Read-a-long with Me prize.
Friday, February 24, 2012
Freedom to Read Week
Help us CELEBRATE our
FREEDOM TO READ
Come to the Raymond Public Library during the week of Feb 27 - Mar 3, 2012
For every 10 - 15 minutes you read in the library you can put your name on a heart. Hearts will be hung around the mezzanine of the library.
Let's see if we can
"HUG the LIBRARY WITH HEARTS"
Every heart you fill in qualifies your name to be put in a draw to WIN PRIZES!
Prizes for adults, teens, and children will be awarded on Saturday, March 3, 2012
Thursday, February 23, 2012
Read - A - Long With Me
Alan Bradley / Agatha Christie Comparison
by Judy-Lee Jensen, Library Assistant
Alan Bradley and Agatha Christie have more in common than murder in the English Countryside. With both authors, among scenes of bucolic gardens, herbaceous borders, and aristocratic landholdings, the reality of murder provides a grisly reminder that death can intrude harshly with a body in a cucumber patch (The Sweetness at the Bottom of the Pie) or on the library hearthrug (The Body in the Library). Agatha Christie's Miss Marple and Alan Bradley's Flavia de Luce may be at opposite ends of the age spectrum, but both have an uncanny knack for solving crime with razor sharp female intuition, uncanny native intelligence, and unswerving belief in British resourcefulness. Miss Marple has a unique and massive knowlege of common garden insecticides and poisons which has served her well in crime solving and Flavia's knowledge of chemistry specializing in the use of poisons, gives her a depth of understanding that a university don might envy.
Both characters have a somewhat bipolar relationship with their local constabulary. Both Inspector Hewett with Flavia and Sir Henry Clithering with Miss Marple have come to have a grudging but healthy respect for these female protagonists with their uncanny ability to solve crime. Sir Henry often said of Miss Marple that she had a mind like a kitchen sink under the cloak of Victorian respectability and Inspector Hewett is quietly flabbergasted with Flavia's ubiquitous presence at key points in his investigation with pertinent information to help solve the crime.
It is interesting that while Flavia and Jane Marple both love the men in their lives; Miss Marple her nephew Raymond, and with Flavia her father, they outwardly give respect and let them be the authority figures, while quietly working behind the scenes to "save them from themselves" as it were. Alan Bradley and Agatha Christie believe innately in British male stoicism but seem to rely on females to actually get the down and dirty details that will eventually solve the crime at hand. Flavia and Miss Marple are able to connect trivial village happenings and characters and accurately deduce how they weave into the pattern of the crime. They both love their family retainers, Flavia her father's factotum Dogger and Miss Marple her various maids she has nurtured over the years, but both have some regard for class distinctions, and a subtle but palpable regard for the superiority of the British Aristocracy. Both have an abhorrence for physical affection, (Please, we're British) yet still waters run deep, and their love is demonstrated by their take action philosophy with regard to solving crime.
Alan Bradley and Agatha Christie are true examples of why the classic British murder mystery has set the gold standard for the genre.
by Judy-Lee Jensen, Library Assistant
Alan Bradley and Agatha Christie have more in common than murder in the English Countryside. With both authors, among scenes of bucolic gardens, herbaceous borders, and aristocratic landholdings, the reality of murder provides a grisly reminder that death can intrude harshly with a body in a cucumber patch (The Sweetness at the Bottom of the Pie) or on the library hearthrug (The Body in the Library). Agatha Christie's Miss Marple and Alan Bradley's Flavia de Luce may be at opposite ends of the age spectrum, but both have an uncanny knack for solving crime with razor sharp female intuition, uncanny native intelligence, and unswerving belief in British resourcefulness. Miss Marple has a unique and massive knowlege of common garden insecticides and poisons which has served her well in crime solving and Flavia's knowledge of chemistry specializing in the use of poisons, gives her a depth of understanding that a university don might envy.
Both characters have a somewhat bipolar relationship with their local constabulary. Both Inspector Hewett with Flavia and Sir Henry Clithering with Miss Marple have come to have a grudging but healthy respect for these female protagonists with their uncanny ability to solve crime. Sir Henry often said of Miss Marple that she had a mind like a kitchen sink under the cloak of Victorian respectability and Inspector Hewett is quietly flabbergasted with Flavia's ubiquitous presence at key points in his investigation with pertinent information to help solve the crime.
It is interesting that while Flavia and Jane Marple both love the men in their lives; Miss Marple her nephew Raymond, and with Flavia her father, they outwardly give respect and let them be the authority figures, while quietly working behind the scenes to "save them from themselves" as it were. Alan Bradley and Agatha Christie believe innately in British male stoicism but seem to rely on females to actually get the down and dirty details that will eventually solve the crime at hand. Flavia and Miss Marple are able to connect trivial village happenings and characters and accurately deduce how they weave into the pattern of the crime. They both love their family retainers, Flavia her father's factotum Dogger and Miss Marple her various maids she has nurtured over the years, but both have some regard for class distinctions, and a subtle but palpable regard for the superiority of the British Aristocracy. Both have an abhorrence for physical affection, (Please, we're British) yet still waters run deep, and their love is demonstrated by their take action philosophy with regard to solving crime.
Alan Bradley and Agatha Christie are true examples of why the classic British murder mystery has set the gold standard for the genre.
Tuesday, February 14, 2012
READ-A-LONG with ME
Don't forget to leave comments or questions for your chance to win Alan Bradley's latest book, "I'm Half-Sick of Shadows!" Must have a valid library card from the Raymond Public Library to qualify for prizes.
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